Overwhelming, in the best way possible. Robby Duguay lays out a foreboding atmosphere to contrast the color filled mayhem of Graceful Explosion Machine.Read More
Fate is calling.
Robby Duguay had me at 'SNES-style symphonic mix.' Listening to the album helped a lot too of course. you might remember Duguay from my praise for his previous OST release. Much like We Are Doomed from earlier this year, Robby has taken one of his dynamic game soundtracks and organized them into a soothing trek reminiscent of classic 16 bit RPGs in his newest album.
I'm only describing half the album though. Tracks 10-18 of this 19 track album are collectively known as (Chaos) and feature a much heavier electronic vibe that gets surprisingly intense as Duguay's instrument choices vary wildly between tracks. So varied in fact, that before I looked at the track list I thought I was listening to a completely new set of songs. I can't help but be drawn into the synthy dubstep boss battle or whatever it is that is happening in the chaos version of "Pestilence," of course, the ominous squarewave wailing of the Serenity version has a place in my heart too.
Killer cut though? On first listen it was definitely "Fire (Chaos)" with that grinding march of an opener it's tough not to be immediately pumped before the song is even in full swing. As I listen again though, I am actually falling in love with the deep, driving sounds of winter in "Ice (Chaos)." In fact, I'm pretty sure I found all the background music I need for a future podcast thanks to these epic closing tracks.
Unlike many albums, Duguay closes with the titular Fate Tectonics, which comes as a restful reprise after the tracks I just mentioned. You can check out the Fate Tectonics game by Golden Gear over at FateTectonics.com and buy Robby Duguay's music on his Bandcamp music page.
Some of these infectious beats are definitely going into an upcoming Subcon Podcast. This OST has got those claustrophic, Super Metroid style electronic beats going. Very catchy, but with just the right amount of glitchy dissonance to keep your wits about you. The unique samples give this album a lot of life. The way that the music builds based on the stages of WE ARE DOOMED creates an ever intensifying album experience as well. At least until you're kicked to the main screen with the ending track, "ways of being doomed (menu)."